She is also founding artistic director of Chicago’s FWD Theatre Project, which recently collaborated with Claude-Michel Schönberg and Alain Boublil, co-creators of Les Misérables and Miss Saigon, on their concert reading and English premiere of La Révolution Française.

“With today’s announcement, Paramount is adding an extremely talented Chicago theater artist and experienced, well-connected producer to our staff,” said Tim Rater, president and CEO, Paramount Theatre. “Paramount has radically altered Chicago’s musical theater landscape in just the last five years with one amazing, Broadway-caliber musical after another. The time is now to take the next step in our growth plan, expand into new play development and stake Paramount’s claim in advancing the art form of contemporary musical theater.”

Jim Corti, Paramount’s artistic director, was equally excited, saying Mak’s addition signals a key goal Paramount goal to introduce the company’s first world premiere musical within the next three to five years.

“Today’s announcement brings with it an expansion Tim and I had hoped for from the beginning of our partnership creating Paramount’s Broadway Series. Amber Mak’s passion for new work matches our own, and she brings with her discerning taste and resourcefulness we would never know without her. A dream come true for Amber, and us, is to be collaborating with writers of new scores and scripts benefiting from melding together what we have learned and achieved over the last five years. A risky and brave sort, this collaboration personally expands all of us as well, as we embark in a new direction yet logical next step for our company: cultivating and nourishing new work for the theatre, made in Aurora.”

Since 2010, under Rater’s and Corti’s guidance, Paramount has re-focused on self-producing a Broadway subscription series featuring fully realized productions of classic and contemporary musicals. As a result, Paramount has grown its subscriber base from 500 to more than 30,000 loyal patrons in just five years, employed hundreds of Equity and non-Equity theater artists, won the most Jeff Awards of any Chicago musical theater last season and helped spur the revitalization of Aurora’s downtown business district.

In her new position, Mak will help grow the theater’s mission by overseeing the discovery, creation, development and production of new musicals for the Paramount Theatre Broadway Series.

“Hairspray” CREDIT: PARAMOUNT

Mak’s New Role

Mak will be working with new writers and artists, organizing readings and workshops of new shows and networking with potential producers, artistic teams and licensing companies to create new paths for shows to live on beyond their Paramount debuts. Paramount will also foster the growth of local talent and Chicago-area writers by creating educational and mentoring opportunities such as workshops and retreats.

“I believe the Paramount’s artistic vision, dedication to creating high quality productions, Broadway caliber facilities and passion for excellence makes it an ideal place to develop the next great musical,” said Mak. “Paramount is already a proven place to re-imagine and revive our greatest musicals. Now we’re looking to the future, being a part of the conversation and contributing to the growth and development of the art form. There is nothing more exciting and rewarding than being a part of creating something from where nothing existed before.”

Paramount Theatre’s new play submission policy will be a mix of open submissions throughout the year for any Chicago area writing teams, by invitation, agent submission and by commissioning pieces for development specifically for the Paramount Theatre.

For more details about Paramount’s new play development initiative and submission policies, visit ParamountAurora.com/NewWorks.

More About Mak

In addition to staging Paramount’s Hairspray-The Musical, Amber Mak’s other credits include serving as Assistant/SDC Observership Fellow for Susan Stroman for Big Fish in Chicago and on Broadway. She was Jeff-Nominated for her choreography of Singin’ in the Rain at Drury Lane Oakbrook. Regional credits include director/choreographer of Mary Poppins and Swing, and choreographer for Legally Blonde and Sound of Music, all at the Little Theatre on the Square, and choreographer of How to Succeed in Business Without Really Trying at Rocky Mountain Rep and The Music Man at The Clarence Brown Theatre.

Mak’s creative team credits as associate director/choreographer include The Sound of Music, Ragtime, Mary Poppins, Sweeney Todd, Xanadu, Shout and The Emperor’s New Clothes. As a performer, she has been on stage in more than 40 shows nationally, including as Bombalurina in Cats at Paramount, as well as Cabaret, West Side Story, Crazy For You and Thoroughly Modern Millie. She is originally from suburban Kansas City, a current resident of Chicago, a Northwestern University graduate and has served on the National High School Institute faculty for the past 15 years.

In addition, Mak was founding artistic director of Chicago’s FWD Theatre Project. Founded in 2014, this new company has advanced Chicago as a premiere destination for new musical theatre by presenting public staged readings of the genre’s best new works to Chicago’s producing entities for future full production consideration. While Mak is stepping down as artistic director to accept her new position at Paramount, she remains a close collaborator and member of FWD Theatre Project’s board of directors.

“Stomp” CREDIT: PARAMOUNT